Robert H. Beer's Web Page


Breaking News

Last Update: Feb 2003 ******My story "Waking the Dead" did not, unfortunately, win the Aurora Award (Canada's version of the Hugos) for 2001. It was still an honour to be nominated for such a prestigious award. My congratulations to Julie Cznerda, who collected enough votes to claim both the Long and Short-form categories. Better luck to the rest of us next year. If you'd like to see all the results, go to the Aurora Awards website. ****** My novel "Turing Test" is complete and is with Teresa Neilsen Hayden at Tor. I'm hoping for some good news soon. I'm currently 10,000 words into my next book. It will be something completely different (nudge, nudge, wink, wink.)******

Stuff I Just Thought Of

I sat on two panels at Ad Astra in Toronto last year, a first for me. It was a good experience, and I'll be at Ad Astra again this year. Hope to see some old friends there.
In October of 2001 I had the opportunity to attend Viable Paradise V, a week-long writers' workshop held on Martha's Vineyard, Mass. It was a wonderful week (thanks partly to my roommates and new friends Darren and John. The instructors were Patrick and Teresa Neilsen Hayden, Jim MacDonald and Debra Doyle, James Patrick Kelly and Stephen Gould (no, not Stephen *Jay* Gould). They were all very knowledgeable and friendly. I'd recommend the workshop to anyone for whom the six week workshops are out of the question.
Another opportunity to join with friends in the SF community will be at Torcon 3, the 61st annual WorldCon in 2003 in Toronto. If you haven't had a chance to visit Toronto before, this is a great excuse. My family had a ball in Chicago in 2000. Even if you have visited before, a Worldcon is different than you average con, and not just in size.

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So, how long have you been doing this?

I've been scribbling science fiction for about fifteen years now, in any sort of an organized way. At first, it was on an ancient Olivetti typewriter, which is still in my basement, providing balast for a set of shelves. (It could provide balast for an ocean liner, come to think of it.) Then through an electric, to an electronic, to finally an actual computer.
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What sort of stuff do you write?

Science fiction, mainly. I'm not much on all the new sub-divisions ("slipstream", give me a break. If you have a good definition of that one, let me know.), since on any given day, an author can, and should, write in several or many of them. I suppose if you only wrote novels, you could possibly stick to one, but for shorts, I can't think of anything more boring (or stifling). So, call it soft SF, soft fantasy, whatever. It varies. Read it.
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What Are You Working On Now?

Well, I'm presently 20,000 words into a near-future novel with sinister AI's, a lazy protagonist, and a petite blond courier. Also terrorism, a shrunken United States, and deep sea fishing. I'll keep you posted.
I'm also working on a children's book with a SF format. I'm also debating signing up for the Viable Paradise writers' workshop on Martha's Vinyard this fall, just to make some contacts. Clarion, being six weeks long, isn't an option.

Publication History

It's growing all the time, and as time goes by, I'm breaking into markets that are important to me. First, which is not an actual publication, is as a semi-finalist for the L. Ron Hubbard's Writers of the Future Contest, which I highly recommend to new writers. I've also been a top-ten finalist in the Science Fiction Writers of Earth contest. There's a link is below. I think contests are valuable for new writers, because it gives you a time frame that you need to FINISH something. It's easy to tinker endlessly.

Published Short Fiction:

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Where do you get your ideas?

Good question. My wife has wondered that for years. My personal belief is that ideas are constantly floating around us, combining and recombining into usable and not-so-usable story concepts. Some people call them dreams, or daydreams. Other people get locked up for believing them. Writers get paid to harvest them. We're just a little more receptive to them, and have a semi-respectable outlet for them. Does that help? One definite thing I've noticed is that work and idea generation seem to be mutually exclusive. I'm sure over the years I've come up with 80 percent of my story ideas during my few short weeks of holidays each year.
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Why do you get your ideas?

I think I've covered that. If not, feel free to speculate.
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Links, or Where do YOU want to go today?


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Contact Me

My E-mail address is rhbeer@hotmail.com
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I'd like to thank the fine folks at Mirror, expecially Ken Roberts, for kindly providing this site. Thanks for visiting, and please sign my guestbook. Drop by again -- there'll be lots of changes.

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